VST OneTrack Specifikace Strana 457
- Strana / 495
- Tabulka s obsahem
- KNIHY
Hodnocené. / 5. Na základě hodnocení zákazníků
- 457 -
Chose your Audio Timing Reference
In the System dialog there are two settings the are related to sync (see page 364):
• The MIDI Sync Reference allows you to decide whether Cubase VST’s play-
back (and hence the MIDI) should slave to the external time code or to the au-
dio hardware.
• The Audio Clock Source setting is for those with advanced audio hardware
that supports resolving via external word clock signals. It allows you to clock
the audio card from an external source.
Always use the Same Sync Source!
Throughout a project, use the same synchronization source for all audio recording
and editing. If you plan to sync Cubase VST to for example a tape recorder, make
sure you are synchronized to that tape recorder at all times!
Use Generate SMPTE
The Generate SMPTE command on the Audio menu allows Cubase VST to create a
synthesised audio file containing ”perfect” SMPTE code.
Once you have created the audio files that simulates a time code recording, you can
stripe the tape you intend to synchronize your work to, with this code. The idea is
that since this time code is generated at exactly the same speed as your digital audio
hardware uses, it will make the MIDI playback play back in “perfect” sync with the
digital audio.
We highly recommend using this feature to generate the time code before com-
mencing any synchronized work with Cubase VST.
The code is generated ”off-line” and is created very quickly. When finished, you
can simply throw the file away or perhaps store it on a stable medium – such as
DAT tape – for later use.
- Getting into the Details 1
- Table of Contents 1 3
- 468 Bar Display 8
- Audio Channels vs Tracks 11
- Audio Files 13
- Non-destructive editing 14
- Segments 14
- Audio Events 15
- MIDI Inputs 16
- MIDI Outputs 16
- Recording 3 20
- Stereo audio recording 21
- Recording in stereo 22
- Why record on an Any Track? 24
- Record Info color coding 25
- Multi Track Recording 26
- Recording Audio 27
- Recording MIDI 27
- The Multi Rec pop-up when 29
- When four Tracks are 30
- ...the same information gets 30
- Creating Parts 33
- Overlapping MIDI Parts 34
- Part Info 35
- Merging Parts 36
- About Cut, Copy & Paste 37
- Resizing Parts 38
- Repeating Parts 38
- Deleting Parts 39
- Splitting a Part in two 39
- Joining Parts together 40
- Monitoring Parts 41
- Muting Parts 41
- Match Quantizing 42
- 4. Release the mouse button 43
- Renaming Parts 44
- Ghost Parts 45
- Using the “Repeat” function 46
- Cut Events 47
- Global Cut 47
- Global Insert 48
- Global Split 48
- Copy Range 49
- Remix Track 50
- Using Remix with Drum Tracks 51
- With Audio Tracks 51
- Mix Down 52
- Instruments 5 54
- About Instruments 55
- Deleting an Instrument 56
- in the playback 58
- The Parameters 59
- Compression 61
- Program Change 63
- Play Parameter Delay 65
- Which should I choose? 68
- Program Change Numbering 68
- About Bank Select 69
- MIDI Volume 70
- About Chase 71
- Pre-programming Mutes 73
- Recording Mutes and Solo 73
- About recording Mutes 74
- About editing recorded Mutes 75
- Groups 9 76
- About Groups 77
- Building Groups 78
- Adding Parts to a Group 79
- Using Groups 81
- Creating a Group Track 82
- Unpacking Group Parts 85
- The MIDI Editors - General 87
- Information 10 87
- Opening an Editor 89
- Closing an Editor 91
- Editing music during playback 92
- Coloring notes in the editors 95
- The Do pop-up menu 100
- - 101 101
- An Example 102
- The Info Line 103
- Quantize and Snap Values 104
- Creating Note Events 105
- [Shift] 96 106
- [Control] 64 106
- [Shift]+[Control] 32 106
- Key Velocity value 106
- None 127 106
- Editing Notes 107
- Editing Notes via MIDI 108
- Cutting, Copying and Pasting 108
- Deleting Events 109
- - 110 110
- Velocity 111
- Non-Note Events 111
- Poly Pressure 112
- Step Recording 11 113
- Introduction 114
- Selecting a Track for input 115
- Entering notes and chords 115
- Adding Rests 116
- If you make a mistake 117
- Using the Insert button 118
- Playing back 118
- When you are finished 118
- Key Edit 12 119
- About this “Chapter” 120
- Drum Edit and Drum Tracks 13 121
- - 122 122
- About Drum Maps 123
- About Output and MIDI Channel 125
- Setting up a Drum Map 126
- - 127 127
- Loading a Drum Map 128
- Saving your Drum Map 128
- - 130 130
- Line shows len 130
- [Shift]+[Control] Lev. 1 131
- [Control] Lev. 2 131
- [Shift] Lev. 3 131
- None Lev. 4 131
- Quantizing 132
- Muting Drum Sounds 132
- - 133 133
- - 134 134
- List Edit 14 135
- The Columns in the List 136
- MIDI and Drum Tracks 137
- Mixer Tracks 138
- Special Events 139
- Creating Events 140
- Editing in the List 141
- Editing in the Event Display 142
- Changing the Lengths of Notes 143
- Hiding Events 144
- Using Mask 145
- Unmasking Events 146
- Switching to Time Positions 147
- Score Edit 15 148
- About this Chapter 149
- Overview 150
- Time Signature 151
- Staff Settings 151
- - 152 152
- - 153 153
- - 154 154
- ... and when it is On 154
- Editing several Tracks 155
- - 156 156
- The Active Staff rectangle 156
- Manipulating Notes 157
- Chord Symbols 159
- Adding Text 160
- Title, Comment and Copyright 161
- Printing 162
- Logical Edit 16 163
- Opening Logical Edit 164
- Working with Presets 165
- Applying Ready-made Presets 166
- Making up your own Presets 166
- Changing the Name of a Preset 166
- How the Presets are Stored 166
- Selecting Easy or Expert Mode 167
- Initializing the Settings 167
- How Logical Edit Operates 167
- About Setting Values 168
- Setting up Filters 169
- Condition pop-up 170
- Value fields 170
- - 170 170
- - 171 171
- Applying a Filter 173
- Setting Up for Processing 174
- - 175 175
- Processing Functions 178
- Expert Mode 179
- - 180 180
- Additional Processing Columns 181
- Additional Operators 181
- - 182 182
- Recording Filters 183
- By MIDI Channel 184
- Controllers 184
- Thru Filters 185
- Mapping Controller Messages 186
- The Input Transformer 187
- - 188 188
- Input Transformer 1 188
- - 189 189
- GM/GS/XG Edit 18 190
- About this chapter 191
- The Controls 191
- The Device section 192
- - 193 193
- - 194 194
- Activating Inputs 196
- - 197 197
- The active Inputs will 197
- Recording from an Input 198
- Activating and routing Buses 200
- - 201 201
- Sends and Effects 202
- - 203 203
- - 204 204
- An example setup 205
- - 206 206
- The Audio Pool 20 207
- Overview of the Window 208
- Displaying Segments 209
- The Headings and Columns 210
- Customizing the View 211
- Option Description 212
- File Operations 213
- Deleting Files 214
- Creating a Segment 214
- Replacing a File in the Pool 215
- Handling “Missing Files” 216
- Icon: Description: 217
- The image is OK 217
- The file has no image 217
- Segment Operations 218
- Deleting segments 219
- - 221 221
- - 222 222
- General Procedure 223
- Dragging into the Wave Editor 224
- Prepare Archive 225
- Prepare Master 225
- - 226 226
- Saving and Loading the Pool 227
- The Audio Editor 21 228
- Opening the Audio editor 229
- - 230 230
- - 232 232
- About Q-points 233
- About Zero Crossings 234
- Zero Crossing Example 235
- Magnification 237
- - 238 238
- - 239 239
- Recording in the Audio editor 240
- Importing Audio Files 241
- Auditioning and Scrubbing 242
- Editing on the Info Line 243
- Changing Start and End Insets 244
- - 245 245
- Before moving the Event 245
- - 246 246
- Working with Q-Points 247
- Automatically 248
- What are Match Points? 249
- Displaying the M-Points 249
- Adding M-Points Automatically 250
- Adding M-Points manually 250
- Editing M-Points 251
- Deleting M-Points 251
- Moving Audio Events 252
- Moving By “Kicking” 253
- Duplicating 253
- Repeating Events 254
- Using Cut, Copy and Paste 255
- Quantizing Audio Events 256
- Groove Quantize 257
- Match Quantize 257
- - 258 258
- Undo Quantize 259
- - 260 260
- Working with Grouped Events 262
- Groups and Channel Settings 263
- Muting Events 264
- Splitting Events 265
- Which Events can be faded? 266
- Creating a Crossfade 267
- - 268 268
- - 269 269
- - 270 270
- 3 takes (cycle laps) 270
- - 271 271
- - 273 273
- - 274 274
- Creating Volume/Pan Curves 275
- - 276 276
- Exporting Events into Files 277
- Processing Audio Files 22 278
- Applying the Processing 279
- The Functions 280
- Pitch Shift/Time Correction 281
- - 282 282
- The Wave editor 23 283
- What is the Wave Editor? 284
- Precautions 284
- Opening Wave Editor Windows 285
- Adjusting the View 286
- Segment Display 287
- Scrolling 287
- Setting Magnification 288
- Playing Back 289
- Selecting 290
- Working with segments 291
- - 292 292
- Cutting and Pasting Audio 293
- Applying Processing Functions 293
- - 294 294
- - 296 296
- - 297 297
- - 298 298
- Mixing and using Effects 25 299
- Monitor Mixer 301
- Dynamic Events 301
- - 303 303
- Here, two EQ modules 303
- - 304 304
- - 305 305
- - 306 306
- - 308 308
- - 309 309
- Effects 309
- Master knob 309
- Clipping 309
- The three effect categories 310
- - 311 311
- - 312 312
- - 313 313
- Editing Effects 314
- Naming Effects 315
- Saving Effects 315
- Loading Effects 316
- The Group Mixer 317
- - 318 318
- Opening the Group Mixer 319
- Settings in the Group Mixer 320
- - 321 321
- - 323 323
- Automating the Monitor mixer 324
- Recording your actions 325
- - 326 326
- - 327 327
- Editing the Audiomix Part 328
- - 329 329
- - 330 330
- - 331 331
- VST-native Plug-ins 332
- Using and Editing the Effects 333
- DirectX Plug-ins 334
- - 336 336
- - 337 337
- Mixing down to an audio file 338
- - 339 339
- - 340 340
- - 341 341
- Working with ReCycle files 28 342
- About ReCycle 343
- Using ReCycle files in VST 344
- - 345 345
- - 346 346
- - 347 347
- Editing Tips and Tricks 348
- Making the Most of the Event/ 349
- Segment Relationship 29 349
- What is an Event really? 350
- What is a Segment really? 350
- Copying Audio Events 351
- - 352 352
- About Audio Ghost Parts 353
- - 354 354
- About Audio Cards 356
- - 357 357
- Multiple Cards 358
- Processor Type 359
- Processor Cache 359
- Memory (RAM) 359
- Disk Controller Card 360
- Hard Disk Performance 360
- SCSI or E-IDE? 360
- - 361 361
- Audio System Settings 362
- Audio I/O 363
- - 364 364
- File Cache Scheme 365
- MIDI Sync Reference 366
- MIDI to Audio Delay 366
- Priority 366
- Enable Audio only during Play 367
- Save your System settings! 368
- - 369 369
- The Advanced Options dialog 370
- - 371 371
- Output and Input Port lists 372
- - 373 373
- - 374 374
- - 375 375
- - 376 376
- - 377 377
- - 380 378
- Using the ASIO DirectX Driver 379
- - 381 381
- - 382 382
- Maintaining the Hard Disk 383
- The Master Track 31 384
- What is the Master Track? 385
- Opening the Graphic Editor 386
- The Window Sections 387
- About the Tempo Display 388
- About Time Signature Events 388
- About Rulers and Positions 389
- - 390 390
- Meter Linear Time Linear 390
- Position Boxes 391
- About Hitpoints 392
- About the Toolbox 392
- Activate Master! 393
- Recording Tempo Changes 394
- - 395 395
- M] on the computer 395
- - 397 397
- Redrawing the Tempo Curve 399
- Drawing new Events 400
- Moving Events Using the Mouse 401
- Duplicating Events 401
- Cut, Copy and Paste 401
- Smoothing Tempo Event values 403
- - 404 404
- - 405 405
- The Master Track List Editor 406
- Moving Events 407
- Using Import and Export 409
- Hitpoints 32 410
- What can I do with Hitpoints? 411
- What are Hitpoints? 411
- Setting Out Hitpoints 413
- - 414 414
- ...creates two new Hitpoints 414
- Editing Hitpoints 415
- - 417 417
- Linking Hitpoints 418
- When Drawing 419
- Breaking Links 419
- Link One by One 419
- Mirror & Link 419
- Working with Tempo Matching 420
- - 421 421
- Using Auto Tempo Scan 422
- Proceeding from here 423
- Working with Straighten Up 424
- - 425 425
- - 426 426
- - 427 427
- Locked Tracks 428
- - 429 429
- - 430 430
- Matching Audio and Tempo 33 431
- Creating Match Points 433
- - 434 434
- - 435 435
- Fixed Tempo Match 436
- - 437 437
- - 438 438
- Creating a Tempo Map 439
- - 440 440
- Fixed Time Stretch 441
- Quantizing Audio 442
- - 443 443
- - 445 445
- Creating a Groove template 446
- Using Snip at M-points 447
- - 448 448
- Time Locked Tracks 34 449
- What are Time Locked Tracks? 450
- Time Locking a Track 450
- Changing the Tempo 450
- Turning Time Lock On and Off 451
- Editing Time Locked Tracks 451
- Creating Multiple Tempi 451
- Things To Note 451
- Synchronization 35 452
- The two types of Sync Signals 453
- Cubase VST – Master Or Slave? 454
- Avoid MIDI Clock! 455
- - 456 456
- - 457 457
- - 458 458
- - 459 459
- Sync to time code deactivated 459
- Sync to MIDI Clock 459
- - 461 461
- About Frame Rates 462
- MIDI Clock 463
- - 464 464
- - 465 465
- MIDI TIme Code transmitted 465
- MIDI Clock transmitted 465
- - 466 466
- Song Start 467
- Time Display Offset 467
- Bar Display 468
- - 469 469
- Sync Options 470
- Customizing Cubase VST 36 471
- Why Customize? 472
- - 473 473
- - 474 474
- Saving the Startup Song 475
- Keyboard Commands 37 476
- What This Chapter Contains 477
- Numeric Keypad 477
- Typewriter Keyboard 478
- Window Handling 479
- Transport Bar functions 480
- General Selection and Editing 481
- - 482 482
- All MIDI Editor windows 483
- Key Edit only 483
- Drum Edit only 483
- Score Edit only 484
- List Edit only 484
- Pool functions 484
- MIDI Mixer Window only 484
- Index 38 485
- - 486 486
- - 487 487
- - 488 488
- - 489 489
- - 490 490
- - 491 491
- - 492 492
- - 493 493
- - 494 494
- - 495 495
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